Adina Kahn explains why she became an agent

Ever since I joined DGLM, many friends and colleagues have wondered what convinced me to become a literary agent after having worked for the past few years in film development. The truth is that many people who lack direct contact with the publishing world do not have a clue as to what an agent does, and therefore do not even know that this rewarding profession even exists.

I gained exposure to the field when meeting with literary agents during my time at Sony. Filmmakers in New York have strong ties to the publishing community, and I would take meetings with literary agents to find out if they had any material suitable for film adaptation. In fact, a few years ago I found myself sitting in a meeting at DGLM to hear about the fantastic books they represented with film potential. As I gained more exposure to the world of literary agents I began to realize how exciting and rewarding it could be. After all, what could be more thrilling than coming across an entirely original and brilliant manuscript and being closely involved in making sure it reaches bookstores?

When I worked in film development, the most inspiring thing for me was finding quality stories. But finding a good story is only one aspect of filmmaking, and sometimes it frustrates me to watch a movie and know that the story was not the filmmakers’ top priority. Books appeal to me because the writing is the priority and the focus.

Reading a book is a different experience than watching television or films. Don’t get me wrong, I am a huge movie buff and I love watching both good and bad television (unfortunately, I think I may like watching bad television a little more). But books affect me more and stay with me longer. There could be a number of reasons for this. Perhaps it’s because a novel allows you to visualize everything for yourself, and forces you to use your imagination. Or maybe it’s because you tend to read a book over a stretched out period of time, and therefore may associate a book with a certain event in your life (that reminds me, some advice: don’t bring THE YEAR OF MAGICAL THINKING by Joan Didion on your honeymoon, that’s a mistake I wish I hadn’t made).

Finding intelligent non-fiction is equally as exhilarating as discovering good fiction, and I love that I can offer writers the chance to share their work and possibly enlighten people who are eager for some new ideas to contemplate and discuss. I appreciate the opportunity to meet writers with all sorts of backgrounds and build a partnership based on mutual enthusiasm for a given subject matter.

I see the role of a literary agent as being similar to that of a film producer, and I have been able to apply lessons learned from my previous experiences to this job. Like a producer, a good agent will oversee a project from start to finish and make sure to solve any problems that come their way. Ultimately, I became an agent because I simply wanted to help talented writers fulfill their dreams of becoming published, and I try to make the rocky road to getting their work to a bookstore as smooth as possible.