Great Books, Part 3

Just in time for the weekend, here are more amazing books that we here at DGLM (well, at least one of us for each list below) stand by. Why not pick one up to read before Monday?

And if you haven't already, don't forget to check out Part 1 and Part 2!

DGLM-er #5:

Graham Greene's The Quiet American
F. Scott Fitzgerald's The Great Gatsby
Helen Fielding's Bridget Jones's Diary
Edith Wharton's Ethan Frome
Emily Brontë's Wuthering Heights
Antoine de Saint-Exupéry's The Little Prince
James Frey's A Million Little Pieces
Alice McDermott's Child of My Heart
J.D. Salinger's The Catcher in the Rye
Mitch Albom's The Five People You Meet in Heaven
Garth Stein's The Art of Racing in the Rain
Oscar Wilde's The Picture of Dorian Gray
Tracy Chevalier's Girl with a Pearl Earring
Jodi Picoult's My Sister's Keeper
Charles Dickens's Great Expectations

DGLM-er #6:

George Orwell's 1984
Colum McCann's Everything in This Country Must
Arundhati Roy's The God of Small Things
F. Scott Fitzgerald's The Great Gatsby
Virginia Woolf's Mrs. Dalloway
Evelyn Waugh's The Loved One
Salman Rushdie's Midnight's Children
Paul Muldoon's Quoof
Gabriel Garcia Marquez's 100 Years of Solitude
Julian Barnes's A History of the World in 10 1/2 Chapters
Knut Hamsun's Hunger
John Milton's Paradise Lost
Philip Gourevitch's We Wish to Inform You That Tomorrow We Will Be Killed with Our Families
Patrick McCabe's The Butcher Boy
Judith Guest's Ordinary People

And the book lists continue

It's time for great books challenge part 2! You can read all about part 1 here. As a reminder, we'll tell you the answers at the end, so feel free to keep guessing on the first two lists as well.

So tell us, who do you think we've got today and which books do you love and hate from these lists? Be sure to give us your lists in the comments!


DGLM-er #3:

Oscar Wilde's The Picture of Dorian Gray
F. Scott Fitzgerald's The Great Gatsby
Ayn Rand's The Fountainhead
Leon Uris's Exodus
James Michener's Hawaii
George Eliot's Silas Marner
Louisa May Alcott's Little Women
Ernest Hemingway's For Whom the Bell Tolls
Philip Roth's Portnoy's Complaint
Anita Diamant's The Red Tent
Sue Miller's The Good Mother
Anne Rivers Siddons's Outer Banks
Susan Isaacs's After All These Years
Dominick Dunne's People Like Us
Herman Wouk's The Winds of War


DGLM-er #4:

Lorrie Moore's Birds of America
Charlotte Brontë's Jane Eyre
André Breton's Nadja
Raymond Carver's What We Talk About When We Talk About Love
Charles Baudelaire's Paris Spleen
Frank O'Hara's Lunch Poems
Kurt Vonnegut's Slaughterhouse-Five
George Orwell's Animal Farm
Art Spiegelman's Maus
Milan Kundera's The Unbearable Lightness of Being
Evelyn Waugh's Brideshead Revisited
Lewis Carroll's Alice's Adventures in Wonderland
J.K. Rowling's Harry Potter series
Cintra Wilson's Colors Insulting to Nature
Alan Moore's The Watchmen

Great and lovable books

Around the DGLM office, great book lists generally occasion complaints that however talented so-and-so might be, surely no one enjoys reading their work. And so we've decided to challenge ourselves--and you--with some DGLM-generated lists of books that are truly great, but also truly lovable. We decided there'd be no picking a 500 page tome we had to slog through, but begrudgingly admit is a seminal work. We've got to stand by both their quality and their enjoyability.

So over the next little while we'll be anonymously posting batches of lists generated by individuals here at DGLM, and we're challenging you, dear readers, to guess who created those lists. So in the comments tell us who you think posted each list, which of these books you love, and which you're amazed to discover anyone does! If you want to play along yourself, give us your own list in the comments.

Your choices are: Jane, Miriam, Michael, Stacey, Jim, Lauren, Chasya, Jessica, Alex, and--just to make things more challenging--our summer interns Stephanie and Zach. We'll tell you the answers once we've posted them all.


DGLM-er #1:

Kurt Vonnegut's Slaughterhouse-Five
Henry Fielding's Tom Jones
Joseph Heller's Catch-22
Joshua Ferris's Then We Came to the End
Nicole Krauss's The History of Love
John Irving's A Prayer for Owen Meany
Philip Roth's American Pastoral
Nathan Englander's The Ministry of Special Cases
Charlotte Lennox's The Female Quixote
Wally Lamb's I Know This Much Is True
Art Spiegelman's Maus
Terry Pratchett & Neil Gaiman's Good Omens
Stephen Chbosky's The Perks of Being a Wallflower
Jonathan Safran Foer's Everything Is Illuminated
Audrey Niffenegger's The Time Traveler's Wife



DGLM-er #2:

Tim O'Brien's The Things They Carried
Roald Dahl's James and the Giant Peach
F. Scott Fitzgerald's The Great Gatsby
Mark Haddon's The Curious Incident of the Dog in the Night-Time
Alan Hollinghurst's The Line of Beauty
Ernest Hemingway's The Sun Also Rises
Charlotte Brontë's Jane Eyre
Joseph Heller's Catch-22
Kurt Vonnegut's God Bless You, Mr. Rosewater
Cormac McCarthy's The Road
Donna Tartt's The Secret History
John Knowles's A Separate Peace
Robert Graysmith's Zodiac
C.S. Lewis's The Lion, the Witch, and the Wardrobe
George Selden's The Cricket in Times Square

Staying on deadline

Leon Nefaykh over at the Observer has some very good advice for authors: with publishers’ budgets increasingly tight, don’t assume you can just get an extension if you miss your contractual deadlines. As we’ve all been telling clients over the last year, now is not the time to take for granted that you’ll retain your publisher’s goodwill if you can’t fulfill your obligations. Deliver on time, and if you’re concerned that you won’t be able to, talk to your agent right away so that we can try to work out an extension for you before you’re in breach. (As with all contractual matters, it’s important to come to us with this problem, not your publisher directly.)

But don’t leave that conversation for the last minute: you don’t want to find out a week before your due date that you’re nowhere near finished and going to have to meet the deadline or find your contract canceled—and your signing payment due back to the publisher.


-Lauren

To ghostwrite or not to ghostwrite...

Interesting piece on NPR about ghostwriting as a means to support one's own creative writing habit. While not for everyone, if you're disciplined and able to work collaboratively (even with difficult individuals), it can be a source of good income.

-- Miriam

The paper sculptures of Su Blackwell

A friend (thanks, Nell!) points me to this amazing article in the Telegraph about an artist named Su Blackwell who creates paper sculptures from the pages of books—-inspired by the books themselves. Be sure to check out the slideshow. The next time I find £5,000 lying around unused, I’m definitely going to have to get one!



-Lauren

Sara Zarr answers some Proust questions

Sara Zarr is the author of the National Book Award Finalist Story of a Girl, Sweethearts, and the forthcoming Once Was Lost (October 1). She's also been contributing to some great anthologies, including Does This Book Make Me Look Fat? and Jesus Girls: True Tales of Growing Up Female and Evangelical (September). She's included in the just-published Geektastic: Stories from the Nerd Herd, edited by Holly Black and Cecil Castellucci, and featuring stories by M.T. Anderson, Libba Bray, and Scott Westerfeld, among many other YA stars. Sara's contribution, "This is My Audition Monologue," is a darkly comic theater-geek story that's a departure from her other published work, but one that her fans will relish.

- What do you regard as the lowest depth of misery?

A low-carb diet.

- What is your idea of earthly happiness?

Living in the moment with no shame about the past or fear for the future.

- Who are your favorite heroes of fiction?

Anne Shirley, Jurgis Rudkus, Ramona Quimby, Frankie Addams, Jean Valjean...there are more.

- Who are your favorite characters in history?

Dietrich Bonhoeffer. Moses fascinates me. Anne Frank. Martin Luther King, Jr.

- Your favorite painter?

I hate doing favorites - especially considering I probably haven't been exposed to 80% of the painters from all of time and space. I do love Van Gogh. Though I'm never sure how to pronounce it.

- Your favorite musician?

Not a fair question, Proust! You can't exactly compare Mendelssohn with Lily Allen. Right now I'm really into David Mead, who is sort of Simon & Garfunkel-y and Beatlesque all at once.

- Who would you have liked to be?

Lazarus.

The etiquette of submitting to an agent

Last week, I was left in a rather difficult spot on a submission. The author hadn’t given me the entire history of the project from before my involvement, and my approach to the proposal would have been quite different had I known more. Our job is to represent the author, but we can’t do that effectively without having all of the necessary information. It was a frustrating situation, only because it could have been avoided.

I began to think that we really need some kind of a list -- an etiquette list, if you will -- of things authors should and shouldn’t do when looking for and then signing with an agent. Here is what my colleagues here at Dystel & Goderich and I have come up with:

- First and foremost, read the agency’s submission guidelines. You can easily find these on their website. If they don’t have a website or guidelines, consult other resources.

- Make sure to query one and only one agent at each agency. A pass from one agent will be a pass from the agency as a whole but if all of us get the same query, we all will turn it down without reading it. (This is true for most, but not all agencies. Again, be sure to consult submission guidelines for each agency.)

- Please tell us up front in your query if you have been recommended by someone we know.

- If you have had books previously published, give us the title, publisher and year of publication.

- If you have previously submitted the material to publishers either through another agent or directly you must tell the agent you are now submitting to. This information is critical.

- Be sure to include all of your contact information with your query. Nothing is more frustrating than reading something great and not being able to contact the person who sent it.

- Unless you have an offer from another agent, do not follow up on queries. If you haven’t heard from us in six to eight weeks, please resubmit.

- Do let us know if you have queried us before, especially if we have read a manuscript of yours. The more we know, the better.

- Conversely, if we turn down your work more than once and haven’t asked to see the next submission, it is probably not a good idea to submit to us again. We remember names of those who submit to us and you will probably be wasting your time by continuing to send us material (unless of course we have encouraged you to do so).

- If we pass on your project, please don’t ask us to recommend other agents. If we think someone else is more appropriate, we’ll let you know in our response.

Most of what I am saying here is common sense, but I am glad to have spelled it out. Following these simple rules will make our jobs – yours and ours – easier and probably more successful.

- Jane

On book events

Some handy advice for authors about book events, from the excellent HarperStudio blog, The 26th Story. Always remember that as an author, booksellers can be your greatest allies. It’s been more than 6 years since I stopped working at Barnes & Noble, but I still remember the authors who were nicest to me when they came in for any reason--whether for an event or just to sign stock or see their books on display--and I always talked up their books to anyone looking for a recommendation.

-Lauren

More on digital publishing

It seems that there's more news in the realm of digital publishing every day. Whether it's publishers partnering with Scribd.com or Hachette giving away books for free on their site, things are moving at a rapid pace.

On Monday, WSJ ran an article about Sourcebooks not releasing a big fall title of theirs on ebook simultaneously with the hardcover. Their fear is that they'll lose hardcover sales, and the agent on the book, Richard Curtis (who I might mention is an epublisher, himself), agreed. Robert Gottlieb also chimed in, saying he doesn't allow simultaneously ebook release if at all possible (and with his biggest clients, I'm sure that can be controlled), comparing that to releasing a movie and DVD on the same day. And Random House still hasn't announced it if will release Dan Brown's latest in ebook, and I have a feeling they won't. Unfortunately, I think these guys are missing the point. This isn't the same argument as when to release a paperback. At this point, with ereaders costing what they do, readers who have invested in them are going to buy the ebook or nothing else. I truly believe they're losing sales by not making the book available, and it's a shame. Kassia Krozser has more to say about this on her blog, too.

At the Digitalist, the Pan Macmillan blog, they make an interesting argument for DRM -- or at least a certain kind of DRM. Thoughtful and concise, it's worth a read. As they mention, simplifying DRM is all about making the customer happy.

As always, I love to hear your thoughts!

- Michael

Mediabistro’s daily media news feed this morning linked to a fascinating website from a company called Wanted Technologies that tracks supply versus demand for a number of occupations in various metropolitan areas. I’m a bit unclear on how accurate this might be for “writers and authors” since “technical writers” is a separate category—and hiring isn’t quite the same thing for book authors, at least, that it would be in most other professions. Nonetheless, if you’re looking to pick up and move to find work as a writer or author, your best bets are apparently the northeast, California (Bay Area or southern), Seattle (no surprise judging by our client list!), Chicago, Milwaukee, Atlanta, southern Florida, Texas, St. Louis and Kansas City.


And can any of our many clients in the Seattle area tell me why the demand for actors is so high there? Is it because the supply of actors is low because everyone in Seattle is a novelist?


-Lauren

Conrad v. Conrad

Okay, I'm a little late with this one but it cracked me up and I wanted to share.

-- Miriam

My new friend

Apparently, someone noticed the pile of queries by my window and wanted to offer me a hand -- or paw, as it were. How this little fella wound up on the window ledge on the ninth floor of a building, I'm not quite sure. He's visited me a few times now. What shall I name him?

-Michael

We're on Facebook!

For all of you Facebook fanatics, we've created a Facebook page for DGLM, which you can find here. We're cross-posting the blog, so if you live and breathe on Facebook, you don't need to leave to find out what we're thinking. We're still getting the hang of it, but do check it out. And if you have any suggestions, let us know!

Stumped again!

Hey, folks! We're again stumped by a cover in the New Yorker covers contest, and we're again too impatient to wait for the answer! (And by we, I mean me.) Can anyone tell us what #4 is? (And if you know all, go tell the New Yorker and maybe you'll win yourself a new book!)

-Lauren

UPDATE: The New Yorker has put me out of my misery! I'll link to rather than posting the answer, in case anyone wants to belatedly play along.