LOST in a good book

by Michael

It's BEA week, and I'm in New York, in a hotel, exhausted by my day of standing around. But my mind keeps drifting back to Sunday and the finale of LOST. As I said to friends, I laughed, I cried, and I was completely caught up in the moment. I will miss the show, flaws and all.

What's this got to do with books, you ask? LOST had many literary allusions throughout the show, and this LA Times blog post  goes through a bunch of them. Interestingly, the producers and I like many of the same books. Are any of the LOST books on your favorites list?

Titling, and DGLM's first contest!

by Lauren

The Ghostbusters theme has been ringing through my head this morning, because of a charmingly named article I’ve been corresponding about written by one of the agency’s clients. I’ve had “Paperback Writer” stuck in my head for days because of my own foolish blog post title from Friday. And I was once tormented for months by two projects I had on submission at the same time that had song lyrics as working titles.

Titles can certainly stick with us, especially when they’re allusions to something else. In college I took a class on literature of the “transition” with a professor who was fond of irrelevant tangents, so I often entertained myself by picking out book titles from the poetry course pack. WB Yeats’s “The Second Coming” alone is owed a debt of gratitude from the classics Things Fall Apart and Slouching Towards Bethlehem, and if you search the poem’s key phrases you can find a surprising number of others. WWI era poetry has also provided authors quite a bit of inspiration.

And beyond songs and poetry, puns and movie titles provide a treasure trove of opportunities for books, especially series fiction. Our own Victoria Laurie’s two mystery series are a perfect example.

Unfortunately, titling books is often much, much harder than just coming up with something to reference. As agents, we often have a hand in helping to come up with great titles for our books—and brainstorming lists of options for each others’ clients can be both a fun and trying experience. Recently, after hundreds of choices were suggested and nixed for a particular book, I decided to consult the internet for help and stumbled upon a great and also hysterical tool for authors: author MD Benoit’s Random Title Generator (note: there are words that might offend some, so use with caution). We actually found a handful of really good titles—though none quite right for the book—and some that were so delightfully unfortunate we had to share those with each other, too. Click on over to the title generator and get yourself a new title for your masterpiece or a working title so atrocious it’ll help lighten the mood whenever you get frustrated with writers’ block.

But we think that you, our faithful blog readers, can do better than a random word combiner. So come up with the best bad fake book title you can and leave it in the comments—bonus points for giving us a logline or subtitle to give us context. We’ll take entries until the end of the day on Friday, select our favorites as finalists, and let you fine folks pick the winner here on the blog. Winner gets a shiny new DGLM water bottle!

Chasing ambulances

by Miriam

Every once in a while a celebrity news story morphs into a veritable hydra-headed monster of a tabloid saga. And, given my love for that particular brand of infotainment, I am usually sucked in right along with the other readers of Us Weekly, People, and, yes, Star. So, you know I’ve been bouncing from one blog to another for the last couple of weeks following the supernova of a meltdown that is the Tiger Woods saga. Same thing happened with the Eliot Spitzer, Mark Sanford and John Edwards gossip fests. The rubber necking fascination for grown men behaving badly never seems to wane, despite the fact that at this point it seems more the norm than the exception. Fame/Money + Unbridled Ego = Tabloid story in the making.

So, whenever one of these events turns into the usual circus, my colleagues and I immediately think “Is there a book in this?” And, of course, there usually is. In fact, there are usually 10 books. So, how do you decide whether to jump on the ambulance chasing wagon, track down a writer and loose them on the story or take a chance on the “insider” account by one of the members of the disgraced figure’s entourage, his ex-whatever, or his second grade teacher or simply keep watching from afar. The answer is tricky and it depends on what kind of agent/agency you are.

Generally speaking, we take on books that we think we’re going to be able to sell because we don’t get paid for our efforts unless we do. Given that simple premise, it doesn’t make sense to run through hoops in order to try to make a book about one of these scandals happen unless (a) that book is going to offer revelations that are truly not to be found in the 24/7 coverage by blogs, magazines, newspapers, and tv shows (b) there is serious analysis of the situation and its more universal implications by a writer who has strong credentials and who is not just going to do a clip job restating the obvious and (c) one of the main players is willing to sell out his mother for a book deal and really does know where the bodies are buried. Ultimately, though, it’s one thing to be titillated by these kinds of stories while eating your Cheerios and quite another to spend the time, energy and dedication it takes to get a book published on a narrative that will soon be supplanted by the next celebrity/politician/sports star behaving badly. And, sometimes, despite the potential monetary windfall, the subject is just too distasteful to pursue--I don’t think anyone here would have repped OJ Simpson’s book (except perhaps Jim), even though we all would strenuously defend an agent’s choice to do so.

If you were agents would you try to sell a Tiger Woods book right now?

Guilty Pleasures

by Miriam

Browsing NPR.org’s Book section, I came across this and it made me think about my own literary guilty pleasures. Given that I take pride in being an eclectic (some might say schizoid) reader, I don’t generally feel guilty about many of my choices but every once in a while I find myself sneaking around with a book that I think will raise eyebrows on the train or lead to outright taunting by my rude friends and family members. Usually, this has to do more with the cover art--certain romance novels leave very little to the imagination--or provocative title than with the actual content, but I find that I tend to feel a little guilty reading certain pop culture blockbusters such as the Twilight series. It’s positively unseemly to be swooning over vampires, along with millions of teenaged girls. Or is it? What are your guilty pleasures?